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In the late '90s, French musician Matthieu Chedid prepares to launch his solo career. Filmed by his sister Émilie, this intimate documentary captures the behind-the-scenes creation of -M-—from his debut album "Le Baptême" to the mainstream success of "Je dis aime". The film reveals how a reserved guitarist crafted his colorful, eccentric alter ego to become a major figure on the French rock scene.
In 2004 Wim Vandekeybus shot a 52-minute feature based on his successful performance Blush. Carried by the music of David Eugene Edwards and Woven Hand and with texts by the Flemish author Peter Verhelst, Blush is a dazzling voyage swinging between the heavenly landscapes of Corsica and the slummiest depths of Brussels. It is an exploration of the savage subconscious, of mythical forests, of conflicting instincts, of imagination, where the body has reasons unknown to the mind. In dance sequences of attraction, confrontation and repulsion the performers take on animal metamorphoses…
The matinee recording of the first official SINoALICE concert, presenting orchestral, chamber, choral and dramatic arrangements of music from the game, hosted through the exchanges of Parrah and Noya.
Desperate for power, ambitious tech nerd Robbie is keen to hack into her high school’s anonymous gossip page to garner popularity. Robbie enlists her loyal friend Ruth to help, but as tensions grow between Ruth’s moral compass and Robbie’s unconscionable actions, Ruth reveals a secret that blows their project (and friendship) wide open.
Musical satire based on Anthony Hope's Ruritanian novel "The Prisoner of Zenda" in which a commoner takes the place of a lookalike king.
As ABBA mark 50 years since winning the 1974 Eurovision Song Contest, it's time to take another voyage into the archives for more of the Swedish supergroup’s best BBC moments.
New York is the city where a forever revitalized musical expression is played in jazz clubs every night. Jazzmix New York, is a look at jazz in NY and the incredible inventiveness of this musical scene in 2010.
Life could be so sweet for Gus Vermeulen and Achille Mironval. They are partners in a cheese trade and business is good. So what they plan to do is to marry their two children so as to perpetuate this blissful situation. However two annoying facts cast a shadow over their happiness. Jean-Pierre Mironval, Achille's son, won't hear of anything connected with cheese and would rather be a jazz band leader and Gus, with his passion for spiritism, sows the seeds of discord between the two men. But all is well that ends well.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
Tensions run high when a recently-divorced couple are given an offer they can't refuse. Once well-established movie songwriters, Lisa and Charlie are thrown together again when a movie producer offers them a rewarding contract to compose a new song. However, old wounds and new love interests guarantee that this job will be anything but easy money.
Two young men fall for the woman staying upstairs when she practises J.S. Bach's "Notebook for Anna Magdalena".
Twenty One Pilots embody an alternative pop sound from Ohio. At the Southside Festival 2026, their emotionally charged sound meets the wide-open spaces of Neuhausen ob Eck: rap, rock and electronic music blend together to create a performance that focuses not only on spectacle, but also on movement, intensity and a close connection with the audience.
In Hell, Satan appears to tell us that rhythm is coming to life again, then we're taken to a sound stage where Jimmie Lunceford conducts his dance orchestra. He's in black tie and a tuxedo of white tales and black trousers. He announces that rhythm is our business, and that's the orchestra's first number, with vocal, sax, bass, and trumpet solos. Myra Johnson sings "You Can't Pull the Wool Over My Eyes" in her animated style, the Three Brown Jacks tap dance, and the short closes with two up-tempo numbers with two sax players tap dancing and the horn players taking off their tux coats to start a make-shift percussion section.
An Irish grandfather tells his young grandson stories of his roots, his courtship with his grandmother and love of freedom through stories and song.