Protocol Archives • Browse all Music titles in HD
Dondog, a young man who grew up on a horse mane, becomes a cowherd after being reprimanded by the management for killing his horse in a race with a car. On this occasion, the relationship between Yanjmaa, a driver who came to the collective, Gonchig, who comes to trade for personal gain, and Dondog, a horseman, was shown in light comedy.
Go backstage with French rap duo Bigflo & Oli in this intimate music documentary, then join the superstar siblings as they embark on a major tour.
In a world gone mad with languid ladies and affected gentlemen, the lovesick maidens of Castle Bunthorne forsake their handsome soldier suitors to pursue poet aesthete - and fake - Reginald Bunthorne. But he loves the village milkmaid, Patience, who doesn't like poetry or understand love. When Patience finally learns what love is, it's Reginald's rival she falls for.
Two teenagers, an orphan hen who loves reggaeton music and the son of a champion fighting-cock, will live an adventure in which they will learn to accept themselves, alongside a great lesson in tolerance and nonviolence.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Jamboree adheres to the usual formula of late-1950s rock & roll films: A plethora of musical numbers linked together by the wispiest of plotlines. Kay Medford heads the cast as manipulative showbiz agent Grace Shaw. Hoping to land pop singer Pete Porter, Grace connives to break up Pete's romance with female vocalist Honey Wynn. But who cares? The audience came to see such musical faves as Fats Domino, Count Basie, Jerry Lee Lewis, Jodie Sands, Ron Coby, Slim Whitman, Carl Perkins, Frankie Avalon, Charlie Gracie and the Four Coins. As a promotional tie-in, Jamboree also features appearances by 21 of North America's top rock-and-roll deejays.
After a series of successful concerts at the Araneta Coliseum in May 1960, American pop singer Neil Sedaka was contracted by LVN Pictures to appear in a musical featurette called “Festival in Rhythm.” The film was shown as an added attraction to “Dahlia” which was released in July. “Festival in Rhythm,” originally shot in color, was a compilation of musical numbers featuring LVN stars and singing and dancing talents leading up to Neil Sedaka. The only surviving print is a black and white workprint from the color original. Since black-and-white positive film stock was not full-color sensitive, warm colors (like skin tones) print dark, hence the dark complexion of the actors in the film.
A younger sister has the habit of copying everything her older sister does. But when the babysitter comes over, she starts copying everything she does instead.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
Brother and sister Kusti and Iti get lost in a forest while picking strawberries and are captured by an evil forest hag. They are made to work for her. The hag has a son called Bumpy whom Iti befriends. When they get a chance to escape, they decide to take Bumpy with them.
Straight From The Streets is a unique mosaic of inner city culture and politics that goes where no other film has dared!
A series of attacks terrorize Munich. Max, having survived the first shots fired at the audience in the electro club Beats, hides in a storage room with his new friend Sefi and other party attendees. The immediate danger puts the humanity of all trapped people to the test and Max has to decide whether he wants to save himself or try to save a stranger, as well. Shortly before arriving at home, Alexa hears of the attack on the club she left her brother Max at. She decides to go back, accompanied by her boyfriend Raphik, who joins her in the end despite his misgivings.
The BIX rock bar in Vilnius was designed by Saulius Urbonavičius-Samas, the frontman of the cult rock band BIX, which was formed in Šiauliai in 1987. The film also used archival footage of BIX concerts from the 1990s to illustrate the time period. This new story captures the free and playful essence of BIX’s rebellious spirit, which once led Samas and the band to West Berlin, where they shared a stage with Nirvana. Samas, a painter and karate fan, was followed and 're-educated' by the KGB and helped spark the punk movement that protested against Soviet restrictions. Along with teacher Grikis and friends, they recorded forbidden songs away from the authorities.
Live performance from the Grand Théâtre de Genève, February 25 2016.
The movie will chart Cole’s journey as musician and quiet revolutionary, navigating racial injustice, Hollywood sabotage and self doubt to ensure his legacy and help pave the way for future generations of artists and Black men and women.
Yes perform an acoustic set live at a studio in Los Angeles on January 26, 2004. Yes' first 'unplugged' performance, broadcast live throughout America. Songs include hits "Roundabout" and "I've Seen All Good People".
Singer, guitarist and producer Ana Frango Elétrico is an emblem of the Brazilian indie scene and has made juggling numerous influences her trademark: So much so that her approach has been described as a ‘groovy time machine’. A blend of bossa nova, funk, disco, lounge music and city pop, witness her music electrify the main stage at Nuremberg's Bardentreffen.