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Lusty womanizer, army Captain Kishore, wants a gypsy dancer for himself, and is ready to kill anyone who tries to get in the way. But his plans are foiled when the woman kills herself, leaving behind an injured father, the head of the gypsies, and a younger sister by the name of Jugnu. Jugnu swears to avenge her sister's death, and seeks training from Robert Taylor, and becomes an expert in weapons and fist-fighting. She assumes the guise of a masked male and calls herself "Garam Masala", and inflicts terror in Captain Kishore's life and army. Garam Masala's attempts to kill Kishore are foiled when she is captured. She is rescued by a mysterious masked male, who disappears into the night. Kishore is clearly baffled by the appearance of two masked men, and asks his men to search high and low for them. In the meantime, Kishore returns to his kingdom, which has it's King missing for several years, and the prince - a puppet in the hands of Kishore and his men.
For one night, Dutch band The Analogues are bringing the Beatles back to Paris for this special tribute concert. Lucky concertgoers can once again return to the unique world created by the Fab Four at the French capital's famed venue Salle Pleyel.
Recorded live in Pamplona and Gerona, Spain on May 30th and 31st 1996
A well-cloistered and protected-against-reality group of college students get their diplomas in the heart of the Great Depression, and quickly learn that the piece of paper the diploma is written on is worth about eighteen-dollars-a-week in the job-market...for the lucky ones. Some of them fare even worse.
In the heat of the summer of 1976, drama teacher Vivienne fights sweltering heat and general teenage apathy to put on an end-of-term version of Shakespeare's The Tempest.
On the 10th anniversary of Violetta’s release, Tini gets together with her former castmates to celebrate, giving her fans an intimate, unique, and unforgettable show. Tini, Jorge Blanco, Candelaria Molfese, and Mercedes Lambre gave the audience a night to remember with their new versions of five of the show’s songs.
A VH1 special to commemorate the syndication launch of That '70s Show.
The Fania All Stars perform for 44,000 fans at Yankee stadium in New York. Besides concert footage, there's also included a history of Salsa, and vintage film clips of Hollywood's portrayal of Latinos in movies during the 1930's and 40's.
28-year-old rapper DEG is in pain, but he’s always smiling. His constant grin is a defense mechanism to avoid conflict. He’s underrated and unappreciated and leaves him in constant emotional turmoil. An old school pal is getting married and Hikari, the love of his life, will be there.
A showcase of Underwood's greatest hits from her nearly 20-year career as an award-winning artist, utilizing extravagant production elements like special effects, pyrotechnics, and state-of-the-art visuals and audio technology.
A compulsive liar admits to a killing she didn't commit so her husband, a lawyer, can clear her and build a reputation for himself.
Ageing misfit Sir Morosus lives alone in an old-style apartment in Charlottenburg in Berlin. He is wealthy, but also lonely and a bit grumpy. Then his nephew Henry moves in with him and his life takes a turn for the better. Director Jan Philipp Gloger homes in on two of the most pressing problems of the day: loneliness and the housing shortage. The Staatskapelle Berlin is conducted by Christian Thielemann.
Musical tale of a happy man, whose happiness the Fur King tried to buy.
One day the mother-son garbage sorting duo Hilse and Tang learn of a new nationwide waste sorting campaign. A sense of injustice and a fear of losing their livelihood drives them to extremes.
In this Oscar nominated short film punctuated by cartoonlike sight gags, a self styled soloist performs a concert outside The Royal Albert Hall in London by "playing" the black & white stripes of a crosswalk which resembles a piano keyboard; he wins over passersby, including a constable and a group of more traditional musicians.
Terrence McKenna: "What is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears." Aleister Crowley: "I am divided for love's sake, for the chance of union." Pessoa: "We never love anyone. What we love is the idea we have of someone." A music-text-collage-trance.
A meek record producer and the Russian underworld meet for a discussion of snare drums, tube mics and railroad tracks.
In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.
Hunter, a young autistic man who has just relocated to New York City, finds himself in the middle of a hot and sweaty New York summer struggling to adjust. He retreats inward and spends his days listening to music alone and exploring his richly imaginative inner world which contains his only friend, Imaginary. One day, on a tour of a community ceramics center called The Annex, Hunter meets Marley. Hunter is immediately drawn to Marley but struggles to talk to him, let alone ask him out on a date. Imaginary knows Hunter needs, "someone special. Someone real". Hunter will ultimately have to find the courage to approach his crush on his own and find his way into a new community. This courage, as courage does, may come from the most unexpected of places in this big city.
Beautiful aspiring rock star Jude is stuck in a rut - relegated to recording commercial jingles and lost in a series of one night stands. When she is evicted from her Brooklyn apartment, she is forced to move into the Hamptons home of her wealthy - and selfish - father Paul Lombard, an over-the-hill, Sinatra-esque crooner angling for a musical comeback.