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An experimental animation for "One of These Days" by Pink Floyd.
A tribute to the iconic mega salsa band, Puerto Rico's own, El Gran Combo.
The documentary ‘Not Everything That Ends Has a Final End’ is a narrative that shows the winding path that emocore took in the world of rock, where it established itself as a controversial genre with multiple distinctive characteristics. The film features emblematic figures from the Brazilian emocore scene, such as Lucas Silveira (Fresno), Koala (Hateen), and Nenê Altro (Dance of Days), as well as others involved in the subject matter, contributing to a simple and transparent presentation of perspectives on the distortion of the true meaning of Emo, its sonic characteristics, and more. This is an independent, original production, designed for those who have never heard of Emo, for those who know – or think they know – what it was, and above all, a gift for those nostalgic for the scene who experienced it firsthand and still cherish fond memories of this movement that marked a generation.
Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's sanitarium by winning a big race with a finicky horse owned by Judy's boyfriend Gil. There are a few problems. Hackenbush, who was recently put in charge of the sanitarium, isn't really a doctor, he's a veterinarian.
A comedy musical play that sheds light on the world of communications and short messages (SMS), and deals with human relations and social interactions in a satirical style.
On the day Touma Kamijou and Index see Academy City's space elevator, Endymion in the distance, they meet a Level 0 girl with an amazing singing voice, Arisa Meigo. As the three enjoy their time together after school, magic-user Stiyl Magnus suddenly attacks them. His target: Arisa. Why would a girl from the science side be targeted by someone from the magic side, Touma wonders. In the chaos of Stiyl's attack, he tells Touma, Index and Arisa that she might cause a war between the magic side and the science side.
A concert focusing on the NUNKI album, with additional songs from Trapéziste and Larme de Crocodile. Recorded live on February 18, 2007 at the Hitomi Memorial Hall in Tokyo. Featuring performers Otomo Yoshihide, Jim O'Rourke, and Sachiko M.
Thomas plays in a band way out in the countryside of Jutland and dreams of making it big with his own songs. When an opportunity suddenly appears – a concert gig in Copenhagen – he puts everything on the line to get his friends on board.
This televised Christmas special, filmed in Quebec, features the music of Perry Como and a number of guests.
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema
Laali drives a tanga to keep her family fed. When village life forces her out, she arrives in Lahore with nothing but her horse and her nerve. Inspired by the short story "License" by Saadat Hassan Manto
We knew the return of Hip-Hop Honors after a six-year hiatus would be huge, but with a surprise from Diddy and some major beef getting squashed, this year was bigger than ever.
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
A getaway from Amsterdam turns into a cosmic trip when Boss Lady and her dobermann break the rules of art and redesign the laws of physics.
Emotionally wounded, blaming her father for the loss of her mother. Nozi navigates through life hurdles in search of healing and peace through music.
Hole's performance at The Metro on October 21, 1994. The show was taped and then broadcast on "ABC In Concert" in 1995.
Thirty-five years after their first meeting, which would change their lives, Argentine guitarist Lucio Yanel and his Brazilian pupil Yamandu Costa reunited to redo, on a trip, the paths that originally led Yanel to the interior of Rio Grande do Sul. Aboard a motor home, with his guitars and memories, master and disciple cross the border of Brazil towards Corrientes, the Argentine's homeland, reflecting on the transformations brought about by the inexorable passage of time.
A man and woman, now living apart, reunite after a long time. They sit on a bench in the shade of the trees and talk. The man speaks in a tone like he's talking to himself, about strange dreams he's been having often lately. "In some of them, I'm an animal, a plant, a tree, and a human." Even though it's a dream, it feels vividly real, as if he's become that thing. “Yeah, that's what it is... a previous life.”
In Rome's notorious gay club, the Alibi, men date, love and quarrel. Meanwhile, on stage, the classic drama of Salomé is played but with surprising variations, In the end, a clown goes out through the city's streets saying a monologue that explains it all, while satirizing the bourgeoisie.