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While a brutal revolution rampages just outside his mansion, pleasure-seeking doctor Daniel Pavenic hosts a genteel dinner party. When asked about a photograph of a mysterious woman, Pavenic reveals the sordid details of his erotic obsession with the woman, his aging servant Ana Puscasu, and his attempts to dominate her psychologically. As the evening progresses, Pavenic's guests reveal their own dark secrets as well.
David Charleston, once a world renowned journalist, now lives alone maintaining the Thunder Rock lighthouse in Lake Michigan. He doesn't cash his paychecks and has no contact other than the monthly inspector's visit. When alone, he imagines conversations with those who died when a 19th century packet ship with some 60 passengers sank. He imagines their lives, their problems, their fears and their hopes. In one of these conversations, he recalls his own efforts in the 1930s when he desperately tried to convince first his editors, and later the public, of the dangers of fascism and the inevitability of war. Few would listen. One of the passengers, a spinster, tells her story of seeking independence from a world dominated by men. There's also the case of a doctor who is banished for using unacceptable methods. David has given up on life, but the imaginary passengers give him hope for the future.
Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."
An American scientist constructs a laser satellite with hopes of preventing any nuclear conflicts from occurring. However, after a fatal error from both the US and the USSR governments, war breaks out and humanity faces a new bloodshed.
Set in a Shandong village during the crucial Menglianggu Campaign between communists and nationalists in 1947, the film follows six women from various families as the (largely offscreen) civil war impacts their feudal existence.
A conscript from a poor background writes the Emperor asking if he can stay in the army when his service is up.
Is there nothing new under the sun? 1770. The South Atlantic. A fleet sets sail from Buenos Aires to expel the British forces and reconquer the Falkland Islands. A major international crisis explodes. What follows may sound strangely familiar, but is firmly based on the historical record and the actual speeches and writings of the time.
Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.
1941, Ukraine. A group of German soldiers occupy a small town populated exclusively by women and children of German descent, way behind enemy lines. There's tension from the beginning, that always threatens to erupt in violence from both sides.
At the height of WWII, the Atlantic Ocean becomes a deadly battleground as an American torpedo boat fights against the constant bombardment of German forces.
Pregnant German woman is trapped behind Russian lines. When she goes into labor, three Soviet soldiers deliver her to a field hospital: a newly graduated officer, an affable truck driver, and a soldier shell-shocked into muteness. The dangerous trip to the hospital ends up a rite of passage for all concerned.
A troubled Iraq War veteran struggling to reintegrate into society sets out on a cross-country journey with the hope of reuniting with his young son.
A group of confedarate prisoners is sent to a unionist fort in the west to help the local garrison to fight the indians.
Set during the end of World War II, Major Mashiba (Masato Sakai) and others receive an order to hide 200 trillion yen worth of treasures. These treasures are to help rebuild the country after the war. 20 girls are mobilized to carry out the mission.
Dramatization of The Japan Broadcasting Corporation (NHK) and its announcers activities to support the Japanese military's fight during the war. Based on the facts, depicts the hidden relationship between broadcasting and the war.
The story is set in a village in the southern Japanese prefecture of Kōchi during World War II. Even in this remote mountainous area, the perception of American and British people as "brutes" has taken root, due to the deaths and injuries among the villagers' relatives. A elementary schoolgirl named Eiko transfers from the city of Yokohama to this village. Eiko happens to have blue eyes from her American father, and her classmates make no attempt to rein in their bullying. Other than Eiko's homeroom teacher Akiko, even the teachers view Eiko the same way that the children do. However, a boy named Kenta views Eiko more with curiosity than with hostility. The children's lives change as the injured father of one of Kenta's classmates returns from the battlefield and news of more casualties arrives in the village.
Despite the national resistance, the Manchurians have taken over China, but the Ching Emperor fears that the Shaolin Temple disciples would overthrow the dynasty. So he disguises himself as a disciple, in order to become a kung fu master and control the Shaolin monks. But according to custom, he must pass the test of the legendary 18 Bronzemen before he can leave the Temple.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
Backstage before a performance, a French actor recalls his time in Madagascar during World War II, when he secretly ran a Resistance radio station under the watch of a collaborationist police chief. His story unfolds in flashback, revealing espionage, deception, and divided loyalties within the French ranks. Made for Britain’s Ministry of Information, this 1944 French-language propaganda short satirizes Vichy opportunism and wartime hypocrisy, and was shelved for decades before its release in 1993.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.