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To avenge his father's death, Otávio wants to take over a party catering business called "Marron Glacé," but ends up falling in love with Vanessa, the daughter of the current owner.
Cielo Rojo is a Mexican soap opera by TV Azteca. It stars Edith González and Mauricio Islas as the leading protagonists, with Regina Torné as the main villain and Alejandra Lazcano as leading teen cast. Filming lasted from 4 April 2011 to 1 December 2011. It premiered on 23 May 2011 on Azteca 13, occupying Entre el Amor y el Deseo's slot.
Ricardo Aguillar, a powerful physician, loses the only and beloved son, the young Daniel, in an accident. After some time he discovers that the boy had frozen the semen before he died. From there he decides to go hunting for the "ideal woman", worthy of being inseminated and become the mother of his grandson. Only fate is about to play a part. When the insemination is finally done and the young woman chosen - the young Viviane - becomes pregnant, the man discovers himself hopelessly in love with her. From then on an unusual and surprising situation will give an electrifying direction to the story: the boy's spirit begins to prowl the family and, although they are in different plans, father and son will dispute the love of the same woman. It will be a clash between the impossible love, therefore idealized, and the realizable love, carnal, with all that it brings of joy and fulfillment, but also of hurts and uncertainties.
The telenovela tells the story of Pedro, a young singer seeking recognition and success. The son of Celso and Anita leaves his parents' home when he discovers that his brother Claudio has become involved with his girlfriend Selma. The singer then goes to live in a student community, where he meets the siblings Bruno, a composer, and Nina. Pedro and Bruno begin a professional partnership. Nina ends up falling in love with the singer, but is torn between him and the former seminarian Chico.
In a bid to save an 8-year-old girl from becoming the victim of Sati, Anirudh marries a curious and tyrant girl Bondita. Anirudh educates Bondita and makes her the first "Barrister Babu" of their region.
Sofía Domínguez is a motherless girl who lives with her father, Dr. Antonio Domínguez, with her stepmother Mercedes and has a younger brother named Esteban. The latter two strive to make Sofía look bad whenever they can, while her father works all day in a laboratory. Sofia has several friends who are her neighbors and one day they decide to enter the "haunted mansion" on Villa Luz street, where a man named Chon lives and who worked for his late employer "Don Darvelio." When they enter, they will live great adventures and fight to defeat the evil forces of Helga, the "Great Witch" who constantly threatens Sofia's life due to a prophecy that she must fulfill.
Mar de Amor is a Spanish-language telenovela produced by Nathalie Lartilleux with protagonists Zuria Vega, Mario Cimarro and Mariana Seoane and antagonists Ninel Conde, Marcelo Córdoba and Manuel Landeta. This is a remake of the 1978 Venezuelan telenovela María del Mar.
the story follows Ringo, a former boxer going through economic problems while trying to gain custody of his son working as a firefighter, and Camila, a young doctor who works as a resident in public hospitals and helps a community dinning room.
The Colbys is an American prime time soap opera, which originally aired on ABC from November 20, 1985 to March 26, 1987. Produced by Aaron Spelling, it was a spin-off of Dynasty, which had been the highest rated series for the 1984–1985 U.S. television season. The Colbys revolved around another wealthy, upper-class family, who were distant relatives of the Carringtons of Dynasty and who owned a large multi-national corporation. Intended to surpass its predecessor in opulence, the series' producers were handed an immensely high budget for the era and cast a handful of well-known movie stars among its leads, including Charlton Heston, Barbara Stanwyck, Katharine Ross and Ricardo Montalban. However, The Colbys was ultimately a ratings disappointment, and was canceled after two seasons.
The plot tells the history and daily life of the Lemos Family between the 1920s and 1940s. Júlio works in a fabric store and has the ambition of getting rich to offer his family a good life. His wife, Lola, does everything she can to keep her family together, because she believes that this way they can move on.
Vera de Almeida Barreto highlights her choices as a woman dedicated to family, sacrificing herself to support her husband's career and raise their three children. Upon discovering Lourenço's affair with lawyer Daniela Lopes (Rita Salema), a younger woman, Vera reevaluates her life, questioning her role as a woman and facing a lack of support from her children in this challenging situation. The plot becomes even more complex when Vera falls in love with a younger man, challenging societal norms and exposing the double standards surrounding age differences in relationships.
Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.
Laura and Antonia's lives will undergo a radical change when they decide to distance themselves from their respective partners on the same day and one of them signs a peculiar separation agreement.
Hailing from a middle-class family, Lakshmi’s life is upended when she realises that her marriage to Rishi Oberoi, an industrialist’s son, is a sham to keep his death at bay.
Maíra was raised by her father believing that her mother had died. This was a lie her father told her in order to protect her from the scorn of her mother, who rejected her when she learned that her daughter was born with a disability. Many years later, Maíra comes across a stranger on their doorstep. That’s Zoé, her mother. Without revealing her true intentions, Zoe reappears asking her daughter’s forgiveness for having abandoned her. As in a dream that turns into a nightmare, Maíra experiences the strongest emotions of her life and what would be a happy fresh start for Maíra with her family turns into a long and dangerous journey.
