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A British businessman operating in Hong Kong has feelings of inferiority and turns to murder when he faces bankruptcy.
Cayley is still recovering from her father's sudden death when she begins attending a new school. Lonely and depressed, she has sex on the first and only date with classmate Ian Hall. After Ian gives her the cold shoulder, she succumbs to his friend's advances. Soon the school is abuzz with rumors about Cayley. With help from a guidance counselor, Cayley begins to change her behavior, but one night Ian approaches her expecting sex. When she rejects him, he rapes her. Now, Cayley's reputation is a roadblock to proving Ian's guilt.
The sweeping story of Dalva Northridge, a young woman of part-Sioux heritage from an old, landed family on the Nebraska plains, and of her lifelong yearning for the man she loved and the son she gave up.
Barabbas or Jesus Barabbas (literally "son of the father" or "Jesus, son of the father" respectively) is a figure in the account of the Passion of Christ, in which he is the insurrectionary whom Pontius Pilate freed at the Passover feast in Jerusalem, instead of Jesus Christ.
A social worker starts working with a shy, withdrawn 6 year old whom she believes is the victim of sexual abuse.
Three cops of different hierarchy are shattered by the tragic death of their beloved sister. They come across three murder cases and all murders follow a similar pattern like that of Masonic rituals.
Gabriella finds an unfinished symphony that was written by her late uncle Octave Barron who found inspiration through murder. Thrilled by it's possibilities she hires Marius (Ben Cross) to complete the symphony. As he begins work on the piece he finds himself stuck in a bizarre murdering cycle handed down from the original composer.
The film investigates explicit representations of female sexuality by women, exploring the pragmatic and philosophical questions they pose, with emphasis on the ways in which the creation of women-friendly pornography confronts and alters the expectations of male consumers. Ultimately, Nitoslawska is concerned with how we comprehend desire, gender and identity, how we understand and represent its history, and the resulting affect on culture and human relations.
Due to the accidental death of Pichler Bauer his wife Ilse, Granny Burgi and especially the youngest daughter Anna are suddenly alone on the mountain farm. Contrary to expectations and traditions, Anna inherits the farm. A well considered decision of the father: For Anna wants to stay mountain farmer, to preserve the inheritance of her father. In contrast to her mother and her uncle. In order to receive her father's farm and to be able to cope with the heavy and exhausting work, Anna hired a Bosnian guest worker, a Muslim, as a servant. They manage to continue the successful business on the farm.
International spy Jason Starr disappears following an altercation while on a mission. His boss seeks out Jason's twin brother, veterinarian Warren Starbinder, and asks him to pose as Jason in order to complete his mission.
A teenage boy tries desperately to retrieve the rude caricature he accidentally handed in before his teacher notices.
When a young boy dogsits Clyde, a criminal canine trying to go straight, he ends up facing down the school bully, catching a criminal, and learning valuable lessons about life from his new best friend.
In a small town in the West of France, during the German Occupation, a room is requisitioned by a Wehrmacht captain, Werner von Ebrennac. The house where he now stays is inhabited by young Jeanne, who makes a living by giving piano lessons, and by her grandfather. Quite upset, the two "hosts" decide to resist the occupier by never speaking a word to him. Now Werner is a lover of France and its culture, and he tries to persuade them that a rapprochement between Germany and France would be beneficial for the two nations. Quite unexpectedly Jeanne, little by little, falls in love with Werner. At the same time, the Francophile officer loses his illusions, realizing at last that what Nazi Germany actually wants is to thrall France and to stifle its culture...
When a successful writer learns her boyfriend is engaged to her former college friend, the two women reconnect and team up with her best friend, turning a painful betrayal into an unexpected journey of friendship and healing.
Letting Go stars John Ritter as a widower and Sharon Gless as a lonely unmarried woman. They meet during a group-therapy session. Romance is inevitable, but the road to true happiness is pockmarked by a series of comic complications. Advertised as a straight romantic drama, Letting Go is actually more akin to the screwball comedies of the 1930s, with a strong satirical bent regarding "behavior modification" theories. The made-for-TV film debuted May 11, 1985.
Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.
A bohemian operetta, full of turmoil and confusion. The complicated yet light-hearted plot is all about making everyone jealous of everyone else. The story begins in a hotel in Tsarist Russia. One by one, guests arrive: the Parisian singer Sybill, Poire, the artist's impresario, and Sarah, Poire's wife. The Grand Duchess, who has accepted an invitation from the city's governor to attend a party in his honour, is also expected. An unexpected guest is Petrov, a Moscow bodyguard who has escaped from his regiment to join Sybil in Paris. A few moments later, the Governor arrives, already aware of Petrov's escape and eager to arrest him. Sybill, who appears on cue, protests vehemently. Seeing her firm action, the Governor thinks she is the Grand Duchess. Sybill, to save the day, takes the role, even agreeing to go to the Governor's ball as Grand Duchess.
Adapted from Kemalettin Tuğcu's work "The Unwanted Man". Engin, a renowned surgeon, and his wife are attacked. Despite his best efforts, Engin is unable to save his injured wife. As a result of this tragic event, he loses his career and all his connections, retreating into seclusion. During these days of isolation from life, Süreyya enters his life. They begin to feel a connection with one another. However, shortly thereafter, he will once again be forced to confront his greatest fear...