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Young Natty is an aspiring writer who works at a video store. As he writes in his time between customers, his hero/nemesis comes to life before him living out the stories that he has created.
The first of a series of 12 compilation features (number 1-12)made for theatres to use as a Saturday Matinee offering aimed strictly at children. Marian Stafford, folk-singer Jared Reed, and The Bunin Puppets appear before and after each cartoon short. All of the cartoon shorts were originally released by Paramount, and included "The 500 Hats of Bartholomew Cubbins (1943)" - Betty Boop's "Crazy Town (1932)" - "The Silly Goose/Dumme Ganslein, Der (1945)" - "The Busy Little Bears (1939)" - "Toys Will Be Toys (1949)", and other Paramount cartoons, shorts and a couple of the audience-participation Screen Song singalong shorts. Strictly sold on a "Park-the-kids-and-go-shopping" or "Cheap Baby-Sitting" basis, and, since it was geared toward the kids, there was also a bath-room break intermission about halfway through the film. New footage and some of the cartoons in Technicolor, but a few of the cartoons were black-and-white.
Kamen Rider Kuuga final TV special. Jokingly labelled as the "50th episode" of the series.
The film is about a very stern looking man who has come to a very unusual flat to repossess the belongings of an old man in a wheelchair. However, again and again, the home seems to play tricks on the guy--driving him half-mad in the process.
Theatrical release of episodes 7-10 of Yamato 2202.
A Jiu and A Ming, two lovers from two enemy families make a pledge to continue their forbidden love in their next life. A Jiu quickly gets reborn but her lover misses his own chance and becomes a homeless ghost. 50 years later, right before A Ming’s next change for rebirth, A Jiu finally shows up. She has become a happily married housewife and has no memory of her previous life…
On the last night before his brother leaves for war, a deaf writer must conquer his fears if dancing with the girl of his dreams should ever become a reality.
A white cat owns a mill, but loses the mill to a black cat and the devil.
The Ninningers come across a new enemy, Dark Doctor Mavro, a remnant of the Shadow Line, who created his own, evil version of Aka Ninger serving under him by stealing the real Aka Ninger's Nintality, and because of it, Takaharu's life is now in danger. All hope seems lost until the Ninningers meet the ToQgers, who fought and defeated the Shadow Line in the past, and it's up to them to join forces in order to overcome this new crisis.
Amorous sailors bite off more than they can chew when they stop into a seaside pub.
For the sake of being able to watch the last episode of his favorite anime that appeared exactly before his sudden death, a shy anime-obsessed ghost is forced to accept a task from the afterlife to haunt 100 thousand humans. The problem? He's more terrified of people than they are of him. So, to achieve his goal, he reluctantly becomes the "star talent" for a crew of broke, fraudulent horror creators, which in the end forces him to choose between his personal ambition or saving the only 'family' he has ever found.
Carl, an old mushroom person, was heading home when he saw a newly born mushroom named Belle. Although Carl didn't want anything to do with her, he reluctantly felt obligated to help her find her parents.
Brothers Ben and Jacob are left to take care of themselves, when they find a weird device which can talk and answer questions.
Imagination and the World of Fantasy are in danger. Mar, an eight-year-old little girl, who's an expert in stories and legends thanks to the books read to her every night by her grandfather, decides she has to try and save them. With the help of her friends, the Lunnis, they will embark on a magical adventure to stop them disappearing.
The Dance of the Wind (Arabic: رقصة الريح) is an Algerian-Tunisian film and the fourth feature film by Taïeb Louhichi. Shot digitally, it differs from his previous films in its emphasis on meditation rather than vast outdoor landscapes. While scouting locations for his film in southern Tunisia, director Youssef meets the gaze of a stunning Berber woman who orders him not to film her. This marks the beginning of a wandering journey that leads him to his downfall in the vast desert, prey by day to mirages, by night to his anxieties, childhood memories, his first cinematic experiences, and the fear of seeing his film fail because he has let his mind wander. His car is his only anchor and his means of resistance, thanks to the contents of its trunk where he keeps scripts, photos, and means of subsistence.
Kondo, a 30-year old Japanese entrepreneur, wakes up in an unknown beach after a great earthquake. When trying to return to his earlier routine, he meets strange characters who will help him understand where he is. Meanwhile, his father, feeling the loneliness of corporate world, will look for new ways to carry on. In spite of the distance that keeps them apart, both manage to come to terms with their past and find a new way ahead.
In an imaginary and fantastic world approaching the setting of Paradise, we witness the unfolding of the trial of Adam and Eve following the theft of an apple. Within the court, comedy takes its place by adopting current ambiguities in the context mentioned. And finally, the verdict is delivered to the surprise of the accused