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In 2006, To Catch a Predator host Chris Hansen sets out to make television history.
In 1700s Austria, a witch-hunter's apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.
Cree matriarch Aline Spears survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse. She uses her uncanny ability to understand and translate codes into working for a special division of the Canadian Air Force as a Cree code talker in World War II. The story unfolds over 100 years with a cumulative force that propels us into the future.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
Biographic film chronicling the last year of the life of the Italian painter Amedeo Modigliani, 1919, who falls in love with a girl from a wealthy family. Her parents are against this relationship and stop financial help. Modigliani worked and died in abject poverty in the Montparnasse Quarter of Paris, France.
Sam Elliot stars as Sam Houston, the visionary who nearly single-handedly forged the state of Texas into a powerful entity in its own right. Refusing to forget the Alamo (as if anyone could), Houston led the military in Texas' rebellion against Mexico. G.D. Spradlin co-stars as President Andrew Jackson, with Michael Beck appearing as Jim Bowie, James Stephens as Stephen Austin, and Richard Yniguez as Mexican General Santa Anna. Lensed on location in the Lone Star state, this sweeping made-for-TV film originally occupied three hours' screen time on November 22, 1986. Its title at that time was Houston: The Legend of Texas. ~ Hal Erickson, Rovi
Amy, the wife of an English governor, falls in love with Parithi, a villager, and they run away. However, they are caught and she is taken back to London. Years later, she comes back in search of him.
A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.
A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.
Set in Cold War in 1961, follows the story of diplomat and economist Dag Hammarskjöld, who boards a plane in a desperate attempt to negotiate a ceasefire from his enemies after he leads UN troops into their first wartime operation.
A true story about Louis Pasteur, who revolutionized medicine by proving that much disease is caused by microbes, that sanitation is paramount and that at least some diseases can be cured by vaccinations.
Umon’s services are called upon when innocent bystanders, Kayo and Minokichi, along with the ronin, Gontaro are mistakenly identified as suspects in several recent murder cases. To prove their innocence and uncover the truth, Umon launches his own investigation.
The bad romance between Luisa Ferida and Osvaldo Valenti, two of the foremost movie stars in Fascist Italy, who were supporters of the regime to the bitter end, and shared its brutal downfall.
It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.
Another adaptation of Tange Sazen.
In a Crimean filtration camp, after the evacuation of the White Army, an unnamed captain is haunted by memories of a brief romance as he tries to understand how the Russian Empire fell apart and who is to blame.
In January 1904, the situation between Japan and Russia had grown tense. The Emperor Meiji is deeply concerned, for Russia has started to build an invincible fortress at Port Arthur, and the relations between two countries have become strained to breaking point. General Nogi has retired to the first reserve and is now a gentleman farmer, but he is prepared for sudden mobilization. Finally, Japan declares war against Russia and Emperor Meiji appoints General Nogi as the commander of the force to attack Port Arthur. However, in spite of several all-out attacks, the fortress is strong and the casualties increase among the Japanese. Because of these reverses, there are loud cries for a change in command. However, the Emperor places his confidence in General Nogi.
It is 1921 and a town has a newspaper which prints urgent bulletins as required. The Washington-based CITES treaty, in which Japan participates, puts a limit on the number of warships any country can possess. As a result, Japan has to decommission a ship to its makers' disappointment. An institute of technology's laboratory designs a new ship. Due to less ships, sailors have to retire and are also disappointed. The laboratory's manager and an admiral are visiting a patient at a hospital and meet coincidentally. The former has a daughter who worries about her father's workload. She asks him to accompany her to a concert. Father has little time, but is convinced for her sake. He is inspired for a ship's design at the performance. The film is inspired by the life of Jo Hiraga.
Set in the late thirteenth century, this film depicts the defense of southern Japan led by the Kono clan against the Mongol invasion in 1281.
Michael Wood explores village life in 14th century England, a time of plague, war and famine. Through the use of a remarkably complete set of documentary records, he explores one village - that of Codicote in Hertfordshire - looking at its boom times and its poorer times. Wood brings the period to life by focusing in on one family, that of the poor peasant Christina Cok, her father Hugh, her estranged husband William, and her children John and Alice. By looking at the poorest members of Codicote's society, Wood approaches his history from the bottom-up rather than taking the traditional historical approach of top-down, 'kings and barons' story-telling.