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History of US labor movements and their suppression. It includes sections on the American Constitution; the Civil War draft riots; Reconstruction; Industrialization; the evolution of the police; the robber barons; early American labor unions; and major mid-to-late 19th Century labor events including the uprising of 1877, the Haymarket Affair, the Homestead strike and the New Orleans General Strike. The introduction examines the West Virginian coal wars of the early 20th Century, culminating in the Battle of Blair Mountain.
Michael Flaherty (Craig Wasson), an American Vietnam veteran of Irish descent, returns to Belfast to join the cause of his grandfather, Seamus (Sterling Hayden). Soon he finds that he is not as welcomed in his home country as he imagined he would be. Even worse, he's the target of an IRA assassination plot designed to make the British forces look bad in order to elicit financial support from wealthy Americans.
Benjamin is in love with Manette, the innkeeper's beautiful daughter, but she has no intention of giving in to the young doctor until she sees the marriage contract, and marriage does not fit in with Benjamin's spirit of independence. For the same reason he resists the efforts of his sister Bettine to marry him off to Arabelle, the daughter of old Dr. Minxit. Benjamin does agree to go and meet the girl. But that evening his sister finds him at the inn together with Manette, who is arrested by her father. So she decides to go with Benjamin herself. But as result of an incident with the fat Marquis puts paid to the expedition. Benjamin is subjected by the Marquis to a humiliating practical joke. Benjamin is determined to got his revenge. He succeeds thanks to the gorgeous Vicomte Hector de Pont-Cassé, who also helps Manette with her problems against her father. But Benjamin is now arrested by the Marquis...
Film poem by Tony Harrison which takes the figure of the Gorgon as a metaphor for the "freedom-fixing politics" which have been responsible for so much conflict this century. It starts in 1992 Frankfurt where Harrison speaks through the mouth of the statue of the German Jewish poet Heinrich Heine. At Corfu in Greece he tells of the link between Heine, the Greek Gorgon and Kaiser Wilhelm II.
Solidarity, peace, and brotherly love – especially in difficult times. The passion stands for values and has fascinated people for over 2000 years already. Now, Jesus Christ gets resurrected once again in ‘Die Passion’ (The Passion): During the RTL live music event, he awakes in modern times – accompanied by real pop hits. The modern depiction of the final days in the life of Jesus Christ is enacted in ‘Die Passion’ by an array of popular stars of the worlds of acting and music.
The history of Greek folk music - and the history of Greece - starting with the bouzouki: Bayanteras, Tsitsanis, Vamvakaris, Daskalakis, Rosa Eskenazi, Eftychia Papagiannopoulou, Vicky Moscholiou, Marinella, Theodorakis, Hadjidakis. The film, which was rejected by the then Thessaloniki Festival (by the Censorship Committee in 1973, by the Preliminary Committee in 1974), focuses on the sound that served as a compass for great artists, sealed important historical moments of the country and served as a mirror of its era.
An experiment in style over substance. It attempts to present the actual medium of film as the focus as opposed to the bland subject matter. The film looks to gain the viewers interest by drawing attention to the fact they are watching a film. It is a comment on the quick cutting and style prevalent in popular film.
Documentary about the founding of Ciudad Nezahualcóyotl on the outskirts of Mexico City in the sixties.
How the Anglo-Irish Treaty between the unrecognised Irish Republic, represented by Michael Collins, and the British government was concluded after high-stakes negotiations in 1921.
The film was shot entirely in a nightclub, with an adjoining contemporary art gallery, whose customers are both Israelis and Palestinians, in one of Israel’s most open cities, Haifa. A long night in a place where the most diverse people meet: Jews, Muslims, gays, heterosexuals, transvestites; and three women, who in that multifaceted microcosm, a gathering peaceful hideout, can find shelter from male bullying and arrogance.
A successful textile industrialist from the provinces, who is beloved by his employees for his kindness, cannot find a wife because of a disfiguring birthmark on his face. Even the courtesans in Yoshiwara refuse to entertain him, until an indentured peasant prostitute, Tamarazu, takes the unsavoury assignment and treats him with brash tenderness.
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
A group of students from the colleges drama society decide to participate in a theatre competition taking place in Bangladesh and choose the 1971 war as their topic for the play Their idea is opposed by almost everyone but the students are determined to stick to their plan. However when they reach Bangladesh, they realize why everyone was concerned, now it is their job to change that perspective and not only win the competition but their hearts as well.
Detailing the creation of the first Chinese film ever made, this film was made to celebrate 100 years of Chinese cinema.
Combining live action photography and actors with hand-drawn animation, an epic retelling of how the Great Auk was driven to extinction through the exploitation and often absurd cruelty of human beings.
The head of the border detachment Gamayun arrives in Turkestan to destroy the last large formation of the Basmachi - the gang of Mumin Bek.
A one-hour documentary about our first real moment of declaring independence 250 years ago, when New Yorkers toppled the statue of King George III at Bowling Green after a first public reading of the freshly inked document on July 9, 1776. In this film, we consider the rise and fall of empires, the toppling of statues, and the removal of monuments to Confederates and slave holders in the afterlife of George Floyd. We follow historian Abby Suckle on her trail to finally find the missing head of King George III, telling the story of how it all happened, along with reflections from Ivan Schwartz whose Studio EIS in Brooklyn has spent a half century sculpting statues of legends from American history in all its complexity: from Presidential libraries, to a re-creation of King George's statue.
From the Baroque Theater at Český Krumlov Castle: Christoph Willibald Gluck's Orfeo ed Euridice (Orpheus and Eurydice) starring Regula Mühlemann, Bejun Mehta and Eva Liebau, with Collegium Vocale 1704 & Collegium 1704 under the baton of Václav Luks. Directed by Ondřej Havelka A co-production of Clasart / Unitel / ORF in association with Czech Television / SVT / YLE / RSI / Arthaus Music
A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.