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Plot unknown. Mexican film.
A young rancher searchs for the villain who murdered his father and ran off with his sister.
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.
At the dawn of the Gold Rush in California in 1848, four vastly different women are thrown together by circumstance and forced to navigate a world where fortunes are being made, laws are being rewritten, and survival often belongs to those prepared to take matters into their own hands.
Played mostly for laughs, this silent Western featured the"The Mediator," a drifter who manages to restore peace both within a family and between miners and their powerful employer.
Randall and his sidekick Manny (Frank Yaconelli) played horse traders battling a greedy and unscrupulous rival (Tom London). When some of his stock disappears, Jack follows the trail to a ranch belonging to Harriet Morgan (Marin Sais) and her young niece, Ann (Phyllis Ruth). A white stallion is accused of luring the Morgan mares astray but the horses are in reality being rustled by the ever-present London and his henchman (Charles King).
Wanah-to-mah, a son of the forest, is in love with Mah-to-mee. George Bradford, a stranger and prospector, sets camp in the forest and, by his carelessness, sets the forest afire. Mah-to-mee makes a great impression on the stranger and he tries to work his eastern tactics on her. He is rebuked.
A Texas Ranger must capture an outlaw and take him-in, while tangling with savage Apaches and greedy bounty-hunters on the way back to jail.
At a strange movie theater, everyone gets sucked into the film they're watching. The longer they stay, the less they remember about the real world!
As America recovers from the Civil War, one man tries to put the pieces of his life back together but finds himself fighting a new battle on the frontier. Cable is an embittered Confederate soldier who returns from the war to reclaim his Arizona homestead from rebel pioneers who sympathize with the Union war effort.
On the American frontier in the last decades of the 19th century, Billie is a female cowboy who fights a series of bad men in this film serial.
Our Hero is accused of a crime he didn't commit. Once again, he breaks jail to find the real culprits. And once again, he dons his Durango Kid disguise, whereupon stunt-double Jock Mahoney swings into action. Outcasts of Black Mesa is distinguished by the presence of a relative newcomer to the film game, leading lady Martha Hyer.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
Based on and built around the west coast radio program, "The Hollywood Barn Dance", although no members of the 1947 cast of the program are in the film, but the better-known (on a national scale) Ernest Tubb and His Texas Troubadors, Jack Guthrie and Jimmy and Leon Short more than make up for that. The slight plot, around 18 songs, begins with Tubb and his band searching for $2000 needed to rebuild their town chuch after it burned down while they were rehearsing in it. Hollywood, here they come!
Two inept, small-town Sheriff's Deputies catch an escaped prisoner that they believe was wrongly convicted.
Cattle owner Buck Ridgeway captures a rustler band, but the leader, Pelton, escapes. Buck is accompanied to the city to market his cattle by Aline, his neighbor's daughter, who is determined to make him fall for her.
Official entry to the first Metro Manila Film Festival in 1983 directed by Romy Suzara and starred Lito Lapid, Connie Angeles, Chuck Biller, Cole Mackay, Paul Jones, Marlene Chavez, Brad Fletcher.
A former Union Army officer plans to sell out to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor's crippled owner and the outfit's bullying tactics make him reconsider. When one of his hands is murdered he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother who also has a Mexican woman in town.
When a bounty hunt takes a supernatural twist, a gunslinger must choose between the lives of man and monster