Fresh arrivals, theater releases, and newly added cinema
A girl revisits her family and complications arise.
Beaten by bullies in the schoolyard, a young man finds refuge in an abandoned house and in his lover’s promise of escape.
Sequel to Lakadbaggha (2023). Plot TBA.
After graduating, Jaime and Chloe plan a massacre at their high school during the summer.
Bolivia has the world's largest deposits of lithium, a metal that is essential for the energy transition. Without lithium, no electricity storage facility, no data centre, no electric car, no smartphone would work. The Europeans want the raw material to save their automotive industry. The Bolivians want it to combat poverty. While the Bolivian government negotiates with corporations from around the world, civil society groups are mobilising in rural areas, organised mainly by women. The film offers a rare insight into the Europeans' strategy to secure the sought-after material and carves out the conflicting interests towards extractivism and industrialisation in Bolivia.
For years, Russia has been trying to rebuild its empire. The hybrid war doctrine introduced by Putin in 2013 assumes attacking Western countries without declaring war. The invasion of Ukraine made us lose our sense of security. A pair of documentary filmmakers from Poland set off on a journey to look for answers to the question about the threats that may face Central and Eastern Europe.
An upcoming biopic on world-renowned Kyrgyz author Chingiz Aitmatov. The film traces his childhood, losing his father, and the personal struggle that shaped his literary voice—from humble beginnings to becoming the voice of his nation.
Tides observes the daily rhythms of lobstermen and kelp harvesters on Swan’s Island, Maine, where time is measured by tides and weather. Without dialogue or narration, the film immerses viewers in the tactile, sensory world of maritime labor: setting and hauling lobster traps, sorting the catch, lifting kelp from the water. There are no protagonists here, not even among the workers themselves. Instead, the film offers an attentive, quietly reverent portrait of labor as a collective practice, marked by moments of care, precision and tenderness that emerge through repetition. By focusing on these elemental gestures, the work uncovers the quiet knowledge and endurance passed down through generations, offering a contemplative study of human interaction with the environment and the unspoken practices that sustain a community.
After visiting her deceased son's grave, Lee is visited by a strange Nun who seems to know more than she lets on about her son's passing.
A lonely man's quiet winter routine hides a string of killings that spiral out of control when his dark double urges him toward madness.
A friendship comes to a violent end.
In a dark and distorted reality, Saltonsito rescues his son Saltito (from this timeline) from his own mother, who has gone completely insane and allied herself with the evil Saltirico. From that moment on, father and son become the most wanted in Ricolandia. Forced to live in hiding and constantly on the run, Saltonsito decides to face the consequences of a past decision that changed everything, in a race against time to protect his son and reclaim what they lost. Witness the grand finale of the Saltito trilogy this october 10st
Krispin works for the Swedish intelligence services and when something goes missing from a top secret facility in Luleå he is burdened with an enormous secret...
Kristina Savutsina set out to make a film about an incident in the Ukrainian city of Kramatorsk, where a capsule containing a highly radioactive element was accidentally sealed into the wall of a flat in a prefabricated housing block in the 1980s. Yet within a set built to replicate the original flat exactly, the project became a refractive documentary, turning its attention towards the filmmaking process and the filmmaker herself.
Marco is a timid teen who has yet to discover his own agency. Over his summer break, he signs up for a lifeguard training course, where he becomes entranced by his polar opposite, Xavier; a boy of mystery and unknown sexuality. Not wanting to risk making a fool of himself or stand out, Marco hides his feelings. When Marco is partnered up with Xavier for CPR and in-water drills, a connection begins to form. As Marco's confidence grows, so does their friendship. When it becomes clear Xavier may feel the same way, Marco must decide whether to act on his feelings or let his queer joy pass him by.
After a breakup, Matei returns Ioana's remaining belongings and discovers her new activity—swimming lessons—which she teaches at her home, undeterred by the lack of pools or other bodies of water in the city. In the middle of the lesson, Ioana tells Matei about her new life and the people in it: the three elderly students she teaches, Ina, Silvia, and Ion.
A personal assistant for her stage director father, Carrie Russell yearns for the stage. Her father unfortunately is unimpressed. With auditions being held for her father's final production and a rising star going for the role, Carrie takes her shot.
After being blindsided by sudden breakups, two heartbroken friends agree to spend a week fulfilling the bucket-list dates they never got to share with their exes
Desperate to make memories during the last few months of high school, Emma and her best friend Matt go to the beach where they kiss despite him having a girlfriend.
Kluay went to the district office to apply for a deferment of his status as a monkey, but the longer he waited, the more unsure he became about whether it was better to be a monkey or a human.