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On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved.
This film tells the history of the United States from pre-Revolution through 1939.
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
Guitry reprises his role as Pasteur which he played successfully at the Vaudeville Theatre in 1919.
A journalist wants to make a film about the life and death of Claretta Petacci, the mistress of Benito Mussolini. For this, she will turn to her sister Miriam.
The Ruins Of Empires is an innovative performance piece by Hip Hop Artist and writer Akala. It is an abridged version of his epic poem of the same name and is a personal interpretation of history as told through the 'knowledge seeker' performed by Akala himself. He follows the course of mans evolution, via astral travel and multiple reincarnations, in an attempt to discover the cause of the rise and fall of Empires. It is driven by a musical score by Mala and Paul Gladstone-Reid and combines innovative animation techniques and emerging technology with some of the most ground breaking creative talents in the industry, under the creative guidance of Andy Serkis and The Imaginarium.
At the turn of the century, Lodz, Poland, was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Three young friends, a Pole, a Jew, and a German, pool their money together to build a factory. The movie follows their ruthless pursuit of fortune.
At Arlington National Cemetery during the Vietnam era, veteran sergeant Clell Hazard trains young soldiers while mourning those lost in combat. Unable to return to war himself, he mentors Jackie Willow—the idealistic son of a fallen comrade—hoping to prepare him for the realities of Vietnam and the cost of duty.
Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.
In 1953 the Korean War is entering the final stage. The People's Volunteer Army of China has launched its last major battle in Kumsong. In order to arrive on time and deliver enough ammo to the Kumsong front line, the soldiers have to defend themselves against the never ending bombardments of enemy bombers and race against time to repair the last bridge, all while facing supply shortages and with inferior equipment.
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
The Red Memory is a revolutionary historical film co-produced by the Publicity Departments of the CPC Lijiang Municipal Committee, Yulong County Committee, and Gucheng District Committee. Directed by Zhang Chunhe and Wang Yang, the film stars Zhao Xiaoming, Han Yueqiao, Kang Lei, Yang Zhi, Xu Jian, and Song Chuyan. The story depicts the unforgettable and heroic chapter of the Chinese Workers’ and Peasants’ Red Army’s 2nd and 6th Corps as they passed through Lijiang.
It’s about a 13th-century Georgian legendary avenger, the noble robber Matsi Khvitia, who bravely fought against the princes’ arbitrary rule.
The film covers the period from 1900 to 1917. Historical events—the Russo-Japanese War, January 9, and others—are shown through the eyes of a mother who begins to realize that her children have many like-minded followers, and thanks to this, she comes to believe in the feasibility of the ideals for which her eldest son sacrificed himself. Only the awareness that his cause is not hopeless, that it is achievable and close to victory, gives her the courage to endure separation from her loved ones and wandering.
A docudrama about baroque art in Croatia.
Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.
In this week's show: Sinos River Valley, Southern Brazil, 19th century. An unholy name spreads across the German settlements, preceded by terror and followed by tragedy... Who was the “Devil Kid”? Find out the facts on Fabão's Sunday Show!
A film adaptation of the 17th-century epic of the same name. Year 1185. Prince Ihor leads a campaign into the Cuman-Polovtsian lands, defying an old prophecy that foretells his death. During the expedition he falls into an ambush set by Khan Konchak, his wife is surrounded by the Polovtsians, and Ihor himself is taken prisoner. In captivity he faces moral and physical trials, refuses to renounce his homeland and family, and defeats the mightiest warrior of the East.
